How many types of plots are there?

tableAccording to Christopher Booker’s ‘The Seven Basic Plots’ most stories can be categories under one of seven basic structures. For example, Jaws, Alien and Beowulf would all  fall under the ‘Overcoming the Monster’ category. ‘Lord of the Rings’ and ‘Raiders of the Lost Ark’ fall under the ‘Quest’ category.

Booker is not the only one to look at story structure. Ronald Tobias analyses stories by using twenty Master Plots. Some of these overlap with the seven basic plots. In the diagram I have tried to align them under the different categories although they do not necessarily easily fit. For example, Tobias examples of ‘Pursuit’ include ‘Jaws’, ‘Alien’, (which is close to the ‘Monster in the House’ category)  but also ‘Narrow Margin’, ‘Bonnie and Clyde’ and ‘Butch Cassidy and the Sundance Kid’. Tobias is more detailed than Booker and looks more to the motivational aspects of the story.

Blake Snyder in ‘Save the Cat’ also categorises movies according to ten different types.  His ‘Golden Fleece’ category includes ‘Star Wars’, ‘Back to the Future’ and most heist movies. The ‘Dude with a problem’ category includes ordinary people with a problem: ‘Die Hard’, ‘Titanic’ and ‘Schinder’s List’. The ‘Superhero’ category includes exceptional people with a problem: ‘Gladiator’, ‘Frankenstein’, ‘Dracula’, ‘Superman’ etc. ‘Buddy Love’ includes ‘Rain Man’, ‘Dumb and Dumber’ as well as every love story ever made. ‘Institutionalised’ is about groups: ‘MASH’, ‘The Godfather’. The ‘Fool Triumphant’ includes ‘Dave’, ‘Forrest Gump’, ‘The Pink Panther’. Whydunnit’  includes ‘China Syndrome’, ‘All the President’s Men’ to every detective story ever told. ‘Out of the bottle’ includes ‘Bruce Almighty’, ‘Freaky Friday’, and ‘The Love Bug’.

Of the three authors classification systems I tend to prefer Blake Snyder’s approach. It’s less detailed than the twenty plots of Ronald Tobias, but is in my view more intuitive. The only aspect that does not seem to fit easily into the structure are tragedies. But then again tragedies are not particularly popular at the box office.

Why is story structure important? If we can understand why certain story structures work and others don’t we can analyse our own work to see if they contain the same pattern (or beats). The trick is to use the same winning pattern, but to be somehow different.

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