This is the third blog dealing with story structure and focuses on Act Three.
Act One deals with the story set-up. It introduces the characters, the story world and the central problem that will become the focus of the story.
Act Two deals with the central conflict of the story as the hero or heroine actively pursue a course of action driven by their desires and opposed by antagonistic forces.
Act three is all about the final resolution of the story. It’s a difficult Act to write because if the ending is too predictable it’s boring, but if it doesn’t deliver the emotional payoff the reader expects, it will fall flat.
The main turning point of Act three is the Climax (TP5). If the story is designed to have a happy ending, this is the moment that the hero finally achieves their goal or gives it up for a higher purpose. In a tragedy, it is the tragic finale–eg the deaths of Romeo and Juliet.
After the Climax we normally see the Aftermath (P7) of the story: the hero has changed and the world in a new sate of equilibrium. In Star Wars, Luke and Hans are given hero’s medals; in westerns the hero rides into the sunset; in a romance we see the wedding or another happy ever after scene.
From a sequence perspective, the first sequence of Act three is normally all about the Fight Back. The hero has found a new strength from his/her low point at the culmination of Act two. He/she reunites the team with a crazy plan to storm the castle. The Antagonist and his cronies are caught off-guard. And just when the hero sees victory in sight, the tables are turned with a twist or revelation (P6).
The second sequence, Resolution & Aftermath, sees the hero fight back, dig deep and finally win (the Climax TP4) and ends with the aftermath (P7).
You may feel that the process I have described is a somewhat of a clichéd Hollywood ending for an action adventure movie. It is; but it works. Even if we remove the action/adventure genre, the emotional journey for other genre (other than tragedy) is much the same. We build up the hero from his lowest point until he/she can almost taste victory, before pulling the carpet away from them leaving them at the mercy of the antagonist. And then finally (sometimes with the help or sacrifice of a friend) they have the strength to steal victory from the jaws of defeat.
Whether you believe in the three-act structure or not, it is important to understand that stories have natural cycles of tension that build to crisis and climax before resolution. Tension is about our hopes and fears for our hero/heroine. Stories with no tension at all are boring. Stories with continuous tension can also be unnerving on the reader or audience. That is why a story needs periodic turning points, and different phases of emotional intensity to work. Understanding these patterns is fundamental to story telling. More about this in later blogs.
Any thoughts on the blog are welcome.